Faust
Phillipe Paringaux
Rock & Folk, Feb 1972
From the cover of the Faust Tapes
The term Rock-and-Roll isn't adequate to describe something which
transcends all the limits of contemporary music. New and outlandish sounds
assembled with a remarkable grasp of the aesthetics of sonority. Burns and
caresses,the grating of metal, the crackling of electricity. All the
resources of the studio and the science of electronics are here exploited
with a devouring curiosity, but also with a remarkable sense of proportion.
For, in the game of technique for technique's sake, Faust risked nothing
less than the loss of their soul. That soul lives on amidst the crashing
and grinding of a music which leaves all coldness behind and which, when
it wants to, can be very moving. Moreover, intelligence guides its every
developement for, behind the delirious, dizzying effects it houses, a
musical structure reveals itself, profiling a series of fixed designs
around which impromptu ideas can be he scattered. A structure that's a
firm guarantee against tne kind of chaos in which all experiments like
this risk foundering, but which is none-the-less flexible enough to
encompass the spontaneity necessary to prevent the experiment seizing
up - as happens with many other explorations in contemporay music. The
result is some of the most intense and authentically innovative music
in the history of rock. Faust is indisputably a group to be seen and heard.
Phillipe Paringaux, "Faust", Rock & Folk 1972 |